That is, until Shruti and her two remaining friends are joined by a mysterious passerby ( Sushant Singh ), who urges the group to press on with the last story. “ Ghostly Lift ” manages to have fun while also exuding eeriness.Īnd then there were three. Shruti then swoops in with another solid chiller about a supernatural rideshare, and proves herself to be the most consistent storyteller of the bunch. This fruitless vignette is underwhelming from start to finish, but at least it is short. Romi’s preference for absurdity continues in “ Apples ”, a so-so fable about a woman ( Shilpa Shetty ) who gets more than she bargained for at the local bazaar. This segment is successful because of the suspense-building why Pandey is so bothered by his pupil’s academic turnaround comes as a ghastly surprise. He contacts the girl’s mother about her overnight improvement not out of worry or curiosity, but out of total fear. In “ Homework ”, an elementary school teacher named Dayashankar Pandey ( Raghuvir Yadav ) is taken aback when a poor student hands in her assignment for the first time.

The storytelling goes on in their absence, and this third episode seems like the film is getting back on track after the undercooked offering of “No Smoking”. The group’s numbers dwindle as characters gradually leave with the intention of coming back. The conclusion comes out of nowhere, and questions will surely linger even as the next segment unfolds. While this oddball sounds like “Quitters, Inc.” from Cat’s Eye, the similarities are surface level. The lone employee then submits an ominous challenge, which Anil accepts against his better judgment. A photographer named Anil ( Saif Ali Khan ) checks into a hotel, unaware of the strict smoking policy in place. “ No Smoking ” is only one of the stranger segments here. The characters’ ultimate fate is directed with harshness, but Raman is never too concerned with subtlety.īefore the bodies pile up under everyone’s noses, Romi pulls out his first story. Anthology fans can expect the top-level story to almost always finish on a gloomy note, and in a film already sardined with multiple tones, this severe twist is not out of the blue. Darna Mana Hai, on the other hand, is open to the idea of a killer on the prowl, as well as other subgenres. Campfire Tales was marketed as another teenage slasher upon its release when in reality the anthology was nothing of the sort. This is where the film starts to develop an underplot about an unknown threat lurking in the vicinity. Neha ( Malavika ) scurries back to the car on account of being frightened by Shruti’s ghoulish yarn. This creepy pit stop stands out from the other sub-stories because it goes for straight scares and a shivery atmosphere. In Shruti’s first tale “ On the Way ”, lovebirds Anjali and Karan ( Antara Mali, Sohail Khan ) are trapped in the woods after experiencing car trouble, but their ordeal truly begins when Anjali enters the neighboring swamp.

Until help arrives, the cast takes turns telling stories inside a run-down house nearby. Romi and Shruti ( Gaurav Kapoor, Sameera Reddy ), as well as five of their friends, are left stranded in the forest following a flat tire and a missing car jack. The wraparound portion of this 2003 Indian horror anthology is underway after a stylish yet mismatched opening sequence that feels better suited for a James Bond pic. So, Raman’s anthology is a remake in only the loosest sense. The same basic setup is indeed used for Darna Mana Hai, although everything else is completely different. In the late-’90s anthology, four young people distract themselves with scary stories after a car accident. Campfire Tales is not exactly renowned, but its core concept is as timeless as it is adaptable. In the case of Darna Mana Hai, however, Varma and the film’s writers supposedly found inspiration in an unexpected source. Indian horror produced around the turn of the millennium drew influence from Hollywood, especially teenage frighteners like Scream and I Know What You Did Last Summer. Suffice it to say, there was a lot riding on this cinematic experiment for Indian horror. Darna Mana Hai ( Forbidden Fear) was a risky move at the time anthologies were not a popular format. Working under one of India’s most prolific filmmakers had its perks, seeing as Raman was soon put in charge of a unique Varma venture. Prawaal Raman received a golden opportunity when he became Ram Gopal Varma ’s assistant director.

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